Cleveland, Ohio (April 30, 2010)- The Gothic Halloween music group Midnight Syndicate has released their first official music video, ‘Dark Legacy.’ The video showcases the song ‘Dark Legacy’ from their ‘Dead Matter: Cemetery Gates’ CD as well as clips from the upcoming dark fantasy vampire/zombie film, ‘The Dead Matter.’ ‘The Dead Matter’ movie which stars genre favorites Andrew Divoff, Jason Carter, and Tom Savini will be released on DVD July 30,2010.
Produced as a part of Midnight Syndicate’s 13th Anniversary celebration, the video marks the first time band mates Gavin Goszka and Edward Douglas have performed together live. Also featured in the video are fellow Cleveland music icons Jeff Hatrix and Tom ‘Schmotz’ from the heavy metal band Mushroomhead.
The video was directed by David ‘House’ Greathouse whose music videos for Mushroomhead won him MTV2’s ‘Headbangers Ball Best Music Video of 2007’ award and a spot on the new ‘Saw VI’ DVD. Robert Kurtzman (creator of ‘From Dusk Till Dawn,’ ‘Wishmaster’) and his company Precinct 13 Entertainment co-produced the video which will also be included as an extra feature on ‘The Dead Matter’ DVD.
‘Dark Legacy’ was shot at the historic and reputedly haunted Phantasy Theatre in Lakewood Ohio, a suburb of Cleveland.
Midnight Syndicate has been creating instrumental Halloween music and gothic horror fantasy soundtrack CDs for the past thirteen years. The group’s music has become a staple of the Halloween season as well as a favorite in the haunted house, amusement park, role-playing game, and gothic music industries. From Universal Studios Halloween Horror Nights and Hugh Hefner’s Halloween parties to Monday Night Football, X-Box games, the classic ‘Dungeons & Dragons’ roleplaying game, and Barbara Walters specials, the music is designed to take listeners on a musical journey into their imagination.
About ‘The Dead Matter’ movie:
A guilt-ridden young woman desperate to contact her deceased brother discovers a powerful ancient relic that controls the dead. Her dark obsession drags her into the tangled world of two warring vampire lords (Andrew Divoff of ‘Lost,’ ‘Wishmaster’ and Tom Savini of ‘Friday the 13th,’ ‘Dawn of the Dead’) each with his own sinister plans for the artifact and a vampire hunter (Jason Carter of ‘Babylon 5’) who will stop at nothing to destroy it.
Inspired by ‘Tales From the Crypt,’ and classic Universal and Hammer horror films, this chilling dark fantasy co-produced by Robert Kurtzman (creator of ‘From Dusk Till Dawn,’ KNB FX) features a haunting score by gothic Halloween music composers, Midnight Syndicate. It’s a mix of classic horror themes with modern twists that will keep you on the edge of your seat.
Listen up Deadites! Gruesome Joe here with the latest installment of the Musical Morgue, right here on Rotting Flesh Radio.
This episode marks a very special milestone in the history of Rotting Flesh Radio—the 200th episode! You heard me right Deadites! 200 episodes ago, on October 7 2005, Jonathan Johnson kicked off Rotting Flesh Radio featuring an interview with Leonard Pickel of Haunted Attraction Magazine and a slew of rockin’ tracks that would lay down the foundation for many, many more episodes to come.
(clip from RFR original episode)
And starting the entire swath of musical madness was the very appropriate track “Rot For Me” by Wednesday 13 from the album Transylvania 90210.
(“Rot For Me” clip)
It almost seems like a beckoning, doesn’t it? Sit back, relax, and rot away…
(“Rot For Me” clip)
Haha… Well, at any rate, I thought it would be fun to go through this album and highlight a few of my favorite tracks and take us all back to 2005.
The album starts off with a nice, predominantly ambient track, quickly setting the mood as if in an old horror movie.
(“Post Mortem Boredom” clip)
However, this calming eerie track is soon blown out of the water by the very driving track “Look What the Bats Dragged In.” This song sets the real mood of the album almost instantaneously—we know we’re in for a loud, high-tempo album full of gore and metal.
(“Look What the Bats Dragged In” clip)
The third track of the album is actually my favorite, entitled “I Walked With A Zombie.” This track in particular exemplifies the thrashing, pop-metal vibe that Wednesday 13 really nailed in their follow-up album Fang Bang with the songs “American Werewolves in London” and “Till Death Do Us Party.” This is one of those songs that you can’t help but rock along with, no matter how hard you try not to.
(“I Walked With A Zombie” clip)
The next track “Bad Things” is a rather hilarious song about wanting terrible things to happen to someone. I found this track nice to listen to while I was at work dealing with some frustrating clients. The next track “House By The Cemetery” features some really driving guitar work with a very prominent synthesizer accompaniment and is followed by the multi-elemental track “Haunt Me.” This track runs hot and cold, soft and quiet, and uses the music as a nice accentuation to his actual lyrics.
(“Haunt Me” clip)
Next is the title track of the album “Transylvania 90210,” which starts off soft with a fairly mellow electric guitar and later incorporates a synthesizer line that carries the entire length of the song. This song is actually very different from all previous tracks, because it is fairly quiet and doesn’t use any drums or distorted guitars. This naturally doesn’t last very long, because then we’re thrashed into the next track “I Want You…DEAD.”
(“I Want You…DEAD” clip)
The next track is a pretty funny Christmas tune actually, well—you could consider it to be a Christmas tune anyway. It’s called “Buried By Christmas.” Chances are you won’t hear this one on the radio, but it is pretty good in my opinion. The following track “Elect Death For President” keeps things a bit tongue-in-cheek by using very strange saxophone accents with a heavy metal underbelly.
(“Elect Death For President” clip)
This next track is a Rotting Flesh Radio favorite, “Rot For Me.” This driving metal track was reminiscent of an anthem for me, especially during their chorus and drum solo. This song would undoubtedly rock seriously hard in a live environment! The following track is very similar in that it would get a crowd going crazy. The song, entitled “The Ghost of Vincent Price” is a nice tribute to the legendary Vincent Price and makes note of several of his best known films. I think it could have been pretty cool to add some sort of ambient audio content that featured some of his famous lines… But hey, maybe they just couldn’t get the rights.
(“The Ghost of Vincent Price” clip)
So overall, I give this album one bloody stump as a great high-octane metal album that will more than likely make you chuckle, and will also get your feet tapping. It didn’t have the song style that I enjoy as much, like on Fang Bang, but the album is definitely solid and is worth checking out. You can get it at mega retailers like Amazon and the like, and you can check out their official “gravesite” at www.Wednesday13.com.
And speaking of my bloody stump ratings, I figured now would be a good time to officially decree that Rotting Flesh Radio gets two bloody stumps way, way up for being the best source of news and information within the haunted attraction and horror industry. A big thank you goes out to everyone listening, everyone supporting, and everyone producing Rotting Flesh Radio week after bloody week. And a special thank you goes out to Jonathan for creating the best horror podcast out there, and congratulations on your 200th episode!
Well Deadites, that about does it for this week here in the Morgue. Be sure to tune is next time—I’m sure I’ll have more great tunes you’ll want to add to your collection. Also be sure to check out GruesomeJoe.com to check out the written version of my review, as well as all the links you need to find the bands and music you hear on the show. I’m Gruesome Joe and I’ll be chilling out here in the morgue, waiting for you… until next time…
Listen up Deadites! Gruesome Joe here with the latest installment of the Musical Morgue right here on Rotting Flesh Radio.
With the Morbidly Merry Christmas celebration well underway, and only two weeks until Christmas day, I think it’s time to take the music up a notch and infuse you with some serious tongue-in-cheek heavy metal holiday cheer. To do this, we have to look no further than the 80’s glam-metal icon Twisted Sister and their appropriately titled album A Twisted Christmas.
Fans of Twisted Sister’s old school sound are going to love this album, and newcomers won’t be able to keep from cracking a smile while spinning this disc. A Twisted Christmas is chock full of tongue-in-cheek takes on traditional Christmas carols, all the while keeping a great driving, heavy metal backbone. Many of the tracks on the album are Twisted versions of well known Christmas carols, but some even go as far as to introduce their own Twisted lyrics, and even an audio sketch into the mix to keep the album lighthearted and full of holiday cheer. With the signature Twisted Sister sound prevailing in each track, one can’t help but chuckle at how ridiculously appropriate this album is.
It all starts off with their hilarious take on “Have Yourself A Merry Little Christmas.” This track really sets the mood of the album with some good comedy and a good Twisted Sister brand of metal rendition of the original song. The track begins with a great audio sketch and acoustic version of the song but quickly takes a turn to make things nice and … TWISTED!
(“Have Yourself A Merry Little Christmas” clip)
We’re then launched into some Twisted Sister nostalgia with “Oh Come All Ye Faithful.” I say nostalgia because this track reeks of “We’re Not Gonna’ Take It” complete with the same drum line, bass solos, and caps it off with an arrangement of “Hava Nagila.” This is by far my favorite track on the album because it is not only really funny, but it’s very good musically and incorporates humor into both the traditional song as well as into the arrangement of the music.
(“Oh Come All Ye Faithful” clip)
The next track “White Christmas” is a driving metal rendition of the classic. It is followed by a strong duet between Dee Snider and Lita Ford in “I’ll Be Home For Christmas.” This track is a nice break from the metal styling of the album with its resonating guitars in a grand, power ballad style. It also features one of the better guitar solos on the album.
(“I’ll Be Home For Christmas” clip)
The next several tracks are all fast tempo, rockin’ heavy metal renditions of traditional Christmas fare. “Silver Bells,” “I Saw Mommy Kissing Santa Claus,” “Let It Snow,” and “Deck The Halls” all utilize a really driving beat and guitar work, all the while keeping the signature Twisted Sister sound quite prevalent. Each track does a great job at keeping true to the originals, but definitely incorporates their own musical flair to the songs.
(“I Saw Mommy Kissing Santa Claus” clip)
The album then takes the tempo down a notch, but keeps the clever riffs hot with “The Christmas Song.” This Twisted take on a classic is very nice musically—incorporating a great bass line and stellar guitar solo. I actually like this song a lot more after hearing this version of it. I really don’t like the original. So kudos to the band on finally making this song enjoyable!
(“The Christmas Song” clip)
The last track on the album is nothing short of brilliantly ridiculous. “Heavy Metal Christmas (12 Days of Christmas)” is a hilarious, heavy metal twist on an old Christmas classic. With tattoos of Ozzy, pentagrams, spandex pants, skull earrings, black mascara, and more… you can’t help but have a heavy metal Christmas! Plus, at the end of each countdown is either a bass or guitar solo—so the more you listen, the better it gets!
(“Heavy Metal Christmas (12 Days of Christmas)” clip)
So Deadites, I give this album two enthusiastic stumps up! It’s a festive heavy metal romp through scores of classics and is both musically and comedically well done. I really liked the musical twists on these classics because they seemed to breathe a whole new life into the songs without becoming overtly cheesy. Now granted, there are several instances on the album that are a cheese-fest—but that is all part of the show and adds a nice levity to the album as a whole. All the songs are quite musically sound and incorporate the style and feel of Twisted Sister with the use of intricate bass runs and Dee Snider’s signature vocal work. I also think incorporating the comedy into the album was a brilliant idea. After all, the glam-rock hair metal groups of the 80’s were far from “serious” in their approach to theme. However—they put on a great show, and A Twisted Christmas in every way delivers this 100%. And to add to this showmanship, the band made two music videos for the album that are just as ludicrous as you would imagine them to be. I’ll be sure to put up links to the videos at GruesomeJoe.com so you can check them out!
If you’d like to get a copy of this album, head over to Amazon or iTunes or whatever your favorite online music retailer is. It’s a surefire way to add some spice to your holiday music this season. Also, I do believe they will be performing the album live this season over in Las Vegas and then in New York if you’d like the ultimate Twisted Christmas experience. Check out www.TwistedSister.com for the details.
Well Deadites, that about does it for this week here in the Morgue. Be sure to tune in next time when I’m sure we’ll have more great tunes you’ll want to add to your collection. Also be sure to check out GruesomeJoe.com to catch the written version of my review, as well as all the music videos and links to the album and the band. Until then, I’m Gruesome Joe and I’ll be chilling out here in the Morgue, waiting for you, until next time…
Listen up Deadites! Gruesome Joe here with the latest installment of the Musical Morgue right here on Rotting Flesh Radio.
Well, I don’t know about you all, but my Halloween season was crazy as hell, and it has been a blessing to take a week or so and relax and refocus. But, with Turkey Day right up upon us, I thought it would be the perfect time to bring you another Musical Morgue music review you could enjoy while chowing down on your Thanksgiving day goodies.
To help ring in Rotting Flesh Radio’s Morbidly Merry Christmas celebration, we thought it would be a great idea to review an album that is full of holiday cheer, all the while keeping it as spooky as I could. So, up on the slab this week is the ridiculously appropriate album Haunted Mansion Holiday brought to us by the folks over at Disney and Buena Vista Records.
Those who are familiar with Disneyland’s holiday festivities are no strangers to the transformation that occurs at their Haunted Mansion attraction. For years the famous attraction has been taken over by Jack Skellington and his crew of merry townsfolk in preparation for Christmas day. Haunted Mansion Holiday is the official soundtrack for the attraction, released in 2003, and includes all the various carols visitors would hear out in front of the mansion, as well as a full audio tour of the house as it was for their 2003 season.
With that, let’s dive into the album.
The first eight tracks are all “scarols” that were heard in front of the attraction while waiting in line. All of them are spooky themed parodies of traditional Christmas carols performed by a cast that is over the top in their presentation, and all the while recorded in a style very similar to the old Disney Halloween specials you would see on TV. Complete with a nice narration, here are several clips of these “scarols” to help you know what I’m talking about. Included are “Up On The Housetop,” “Old Mansion Tree,” “Wreck The Halls,” and “We Wish You A Scary Christmas.”
(“Up On The Housetop” clip)
(“Old Mansion Tree” clip)
(“Wreck The Halls” clip)
(“We Wish You A Scary Christmas” clip)
The next track, I’ve been told, actually never appeared anywhere in the attraction, but was a tribute to the Jack Skellington theme and Danny Elfman’s tunes from Nightmare Before Christmas. The track is appropriately titled “Tim Burton’s Nightmare Before Christmas Medley” and features a simplified medley of “Making Christmas,” “What’s This,” and “Kidnap the Sandy Claws.”
The final track on the album is by far my favorite. The track is appropriately titled “Disneyland Haunted Mansion Holiday Ride-Through Mix” and is a wonderful mix of all the various audio tracks, songs, and sound effects as heard as one rode through the attraction. I particularly love this track because it reminded me so much of my trips to the Haunted Mansion—with all the cacophony of all the sounds going on at once, it immediately took me back and brought a smile to my face. In addition to that, you have the very clever musical composition and intermingling of themes from Nightmare Before Christmas amongst traditional Christmas carols and the spooky original music from the Haunted Mansion. This track blends all of these elements seamlessly into one glorious production—you actually feel as if you’re riding through the attraction.
So, here is a little clip from that wonderful 16-minute track…
So, I give this album one bloody, rotten stump up as it is a great piece of Disney magic, but it leaves a little to be desired. The best track on the album is the last track, which actually makes up almost half the entire play length of the album. The other tracks on the album I’m sure were great queue-line entertainment, but as stand-alone recordings are a bit sparse and dissonant. They offer a delightfully cheesy selection of tracks that would be great as music for your Christmas party, but as stand-alone recordings, I can’t give them the two-stumps up praise. They are, however, great background tracks—which is exactly what they were designed to be. So—kudos to Disney on hitting the nail on the head, however before releasing this album they could have remastered the tracks to smooth them out a bit, or could have even added additional orchestration to help render the CD as a more stand-alone piece. However, as a historical recording, the tracks are spot on.
Well Deadites, that about does it for this week here in the Morgue. Be sure to tune in next time when I’m sure I’ll have more great tunes you’ll want to add to your collection. Also be sure to check out GruesomeJoe.com to catch the written version of my review, as well as a host of other goodies! Until then, I’m Gruesome Joe and I’ll be chilling out here in the Morgue, chowing down on some turkey, waiting for you, until next time…
Listen up Deadites! Gruesome Joe here with the latest installment of the Musical Morgue right here on Rotting Flesh Radio.
Well—it’s officially here. We’re at the start of the haunt season, and several of you professional haunts out there are opening your doors tonight. I know that all of us here at Rotting Flesh Radio wish each and every haunter out there the absolute best and a very prosperous 2009 season!
And with that said, let’s cut to the chase—if you haven’t quite figured out what music you’re going to be using throughout your haunt, or if you haven’t quite finished the sound work for a particular room in your haunt—then you’re going to want to give a quick listen to what I have in store for you this week. Those familiar with Michael Hedstrom will remember his debut album Midnight Circus, which was a delightfully spooky album of circus and carnival themed haunt music. Well, up on the slab this week is his latest, and possibly darkest album yet, Demagogue.
This spectacularly dark and versatile album easily sets the tone of ominous terror within the very first moments of the album with the track “In the Beginning.” This track blends a great sense of chaos and serenity almost seamlessly…
(“In the Beginning” clip)
The next track “Awakenings” pulses with ominous serenity until right up at the end when it concludes with a very loud series of swells and crashes to really accentuate the movement into the next track “Basic Instinct.” This highly thunderous track is highlighted with gothic vocal work, racing pianos and strings, and very well organized percussion.
(“Basic Instinct” clip)
The album is then taken down a notch with the very ambient track “Sanctuary.” This incredibly dark piece utilizes swelling horns oozing with ancient ambiance. Further along in the track we are graced with a very light flute and piano melody that enhances the spooky vibe you get while listening to the piece. This foreboding ambiance is further sustained into the next track “Isolation” where the delicate piano and swelling horns underscore a very delirious tension.
(“Isolation” clip)
This tension is brought into full delirium with the next track “Epiphany.” Don’t let the length of this 58-second track fool you—it starts off quietly but ends with an incredibly macabre manifestation of distorted sounds, effects, and tones. I love this track because of it’s unassuming, but incredibly dominating once it picks up the volume!
(“Epiphany” clip)
We’re then launched back into the foreboding world of Demagogue with the next track “Demagogue Emergent.” This track combines several of the different qualities from the previous tracks and uses these to paint a picture in your mind of a ruthless entity of incredibly dark power. Its almost domineering power is alluded to in the next track “The Word” where a pipe organ plays a somber ode to darkness.
(“The Word” clip)
The gothic church style continues on throughout the next track “The Order” incorporating a vaster sounding pipe organ composition with several instances of sacred-like vocals. The next track “Sister Mary Katherine” lulls us with a very somber string arrangement to then lead us to a very whimsical arrangement in the next track “Idol Worshippers.” You can tell Sister Mary Katherine did not approve of the Idol Worshippers…
(“Idol Worshippers” clip)
The next track “Victory Prayer” reintroduces us to the pipe organ and sacred vocals with the beautiful orchestration and vocal arrangement. This track is probably my favorite on the entire album because it keeps the creep-factor nice and high, but the incredibly skillful orchestration really makes this beautiful track stand out amongst all the rest for its perfect musicality.
(“Victory Prayer” clip)
We’re then launched into the next track “Holy War” which is a great blend of epic orchestration with lots of timpani and horns, and also a nice blend of ambient sound effects like horses, wind, bells tolling, etc. It creates a nice all-around audio experience. Followed up by the track “Mourning” you can tell that the battle was vast…
(“Mourning” clip)
The final track of the album “Afterlife” is a nice blend of somber strings, light piano arpeggios, lofty voices, and select ambient sound effects. These all culminate in a very well composed ending that hints very sinisterly at what’s beyond this life.
(“Afterlife” clip)
So, overall I give this album two stumps enthusiastically up! To be honest, I was surprised at how good this album sounded. The very first record from Hedstrom I ever heard was the Midnight Circus album, and being a bit older, the synths he used on that album sounded a little like calliopes—which was perfect for the clown theme! However, I did not anticipate that Demagogue would sound so crisp and authentic. The whole album sounds much more like a very well composed, very dark film score—there are highs and lows, fast tracks and slow tracks, all lending to an overall audio adventure that really tells a story. I think Michael did an incredible job with this release, and I eagerly anticipate his next album! Demagogue in particular offers us a very nice, very dark and gothic ambiance without being as lofty as some of the other haunt CDs out there. The album is also incredibly versatile—you could use these tracks all over your haunt and create a really dynamic and diverse world.
I highly recommend, if you haven’t done so already, that you check out Hedstorm Productions. You can visit his site at www.Hedstorm.net and purchase his albums directly there. Each album individually is only $13—BUT if you want to buy all three albums, he has them on sale as a package for just $30 plus shipping! I can tell you first hand that all three albums of his are amazing and are definitely worth adding to your collection and to your haunt. If you do want to use them in your haunt, it’s also good to know that you can use his music royalty free! Just shoot him an email and let him know that you’re using it in your haunt and you’re all set!
Well Deadites, that about does it for this week here in the Morgue. Be sure to tune in next time when I’m sure I’ll have more great tunes you’ll want to add to your collection. Also be sure to check out GruesomeJoe.com to catch the written version of my review, as well as all the links you’ll need to get to Hedstorm Productions! Until then, I’m Gruesome Joe and I’ll be chilling out here in the Morgue, waiting for you, until next time…
